Friday, 19 January 2018

Wednesday 04:45 by Alexis Alexiou

On Tuesday 23 January at 19:00 and on Wednesday 24 January at 21:00 the thriller WEDNESDAY 4:45 (Greece, 2015, 116 min, colour) by Alexis Alexiou will be screened in cinema Utopia in the original Greek version with English subtitles. The film is not suitable for children.

Synopsis


Stelios is a serious jazz lover whose dream of running a music venue is crumbling during the onset of Greece's debt crisis. He owes a fortune, the club isn't earning enough to make payments and the loan shark called has decided that Stelios has a day to pay him back in full.

In a vortex of adultery, drug abuse, violence, guilt and self-deceit, Stelios has a few hours left to save his club, salvage his crumbling marriage, battle the mafia loan-sharks, baptize his employee's kid and show up at school to receive his son's report card as a responsible parent.

Cast: Stelios Mainas, Dimitris Tzoumakis, Adam Bousdoukos, Giorgos Simeonidis, Mimi Branescu, Maria Nafpliotou, Mimi Branescu

Xamou | Ξα μου (2016) by Clio Fanouraki

On Tuesday 12 December at 19:00 and on Wednesday 13 December at 21:00 the film Xamou (Greece, 2016, 87 min, colour) by Clio Fanouraki will be screened in cinema Utopia in the original version with English subtitles. The film is not suitable for children.
Synopsis
 
“Xa mou” means “to do whatever I feel like” in the Cretan idiom. Johnny, the film’s main character, is a French man who lives in Crete. He unexpectedly loses his job, but he is reborn when he discovers the small pleasures of everyday life.
When Johnny suddenly loses his job as a hotel manager amid Greece’s economic crisis, his response is to retreat into his own cave. Drawn out by his wife and children, and carried away throughout Crete by circumstance and fellow travellers, Johnny finds himself in unfamiliar, unpredictable and often invigorating experiences, bringing him face to face with his own willpower and with all the things that surround us that we’ve stopped being able to see.
Based on the Cretan land, which constitutes not only a field of action but an organic part of the film, and, and through the reminiscence of the “allegory of the cave” by Plato, “XAMOU” is not a film about the Greek crisis. It is an optimistic film about all the crises, those who refute the established and force us to reinvent ourselves and our relationships with people, land… and the world around us.